Zosha Di Castri opened the BBC Proms on July 19th with her latest work Long Is the Journey - Short Is the Memory. The piece marked the 50th anniversary of the lunar landings.
Professor Brad Garton is going to be the keynote speaker at the 2019 International Computer Music Conference going on this week (his speech is tomorrow at 4:30 PM), and one of his book-readings will be a 'featured piece' on the 2019 New York Electroacoustic Music Festival that evening.
Composition graduate student Katherine Balch was recently featured in the San Francisco Chronicle in review of her new violin concerto, "Artifacts". The world premiere was given at the Lesher Center for the Arts in Walnut Creek on Sunday, May 5th, 2019, by violinist Robyn Bollinger with Donato Cabrera of the California Symphony.
Students, alumni, and faculty in the Music Department are featured in the article "Daughters of Harlem Teaches Local Young Women to Record and Produce Their Own Music" about the Fall 2018 workshop For the Daughters of Harlem: Working with Sound.
For the Daughters of Harlem: Working in Sound has won an Action Grant from Humanities New York and a Public Outreach Grant from Columbia University’s Center for Science and Society to host a campus workshop in October 2018 for young women of color from New York’s public high schools.
Alumna Nina C. Young (DMA, Composition 2016) has recently been announced as the Assistant Professor of Composition and Director of the Electronic Music Studios at the Butler School of Music at The University of Texas at Austin. Her contract will begin with the 2018-2019 academic year.
Rebecca Kim edits the first comprehensive survey of the groundbreaking work of Earle Brown, augmented with several newly published items from his personal archive. Earle Brown (1926–2002) was a crucial part of a group of experimental composers known as the New York School, and his music intersects in fascinating ways with that of his colleagues John Cage, Morton Feldman, and Christian Wolff.
Composer and pianist Courtney Bryan (DMA Composition, 2014) works in multiple genres, both sacred and secular, including jazz and other experimental music, traditional gospel, spirituals, and hymns. Unifying her compositions - solo to orchestral works, choral music and sound installations - is a desire to “communicate the sounds of rebellion and healing.”